A digital filmmaking tool by Two Horn
Peace on Earth LUT Series
v0.1 — Technical Preview
Different cameras. A common starting point.
Bring supported log footage into a shared ARRI Classic 709 rendering. Peace on Earth pairs profile-specific conversions with one consistent output reference, giving you a common foundation for your grade.
52 .cube files · 65-point and 33-point versions · 68.9 MB ZIP
How it works
One conversion per input. One rendering for all of them.
Pick your input
Choose the file for your recorded log profile and color space.
Balance first
Balance exposure and white balance before applying the LUT.
Apply once
Apply once to reach the series’ shared SDR rendering.
Each supported input gets its own conversion. Every conversion feeds the same ARRI Classic 709 reference. The current edition provides mathematical normalization; camera-specific calibration is still ahead.
Compatibility
Match the profile, not the logo.
Brand alone isn’t compatibility. Find the exact log curve and color space your camera recorded. Canon files come in three gamuts; use only the combination your camera actually recorded.
26 input options included in v0.1.
| Family | Input curve | Input gamut | Notes | File (65-point) |
|---|---|---|---|---|
| Canon | Canon Log | Cinema Gamut | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog_CinemaGamut_to_Classic709_65.cube |
| Canon | Canon Log | ITU-R BT.2020 | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog_BT2020_to_Classic709_65.cube |
| Canon | Canon Log | ITU-R BT.709 | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog_BT709_to_Classic709_65.cube |
| Canon | Canon Log 2 | Cinema Gamut | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog2_CinemaGamut_to_Classic709_65.cube |
| Canon | Canon Log 2 | ITU-R BT.2020 | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog2_BT2020_to_Classic709_65.cube |
| Canon | Canon Log 2 | ITU-R BT.709 | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog2_BT709_to_Classic709_65.cube |
| Canon | Canon Log 3 | Cinema Gamut | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog3_CinemaGamut_to_Classic709_65.cube |
| Canon | Canon Log 3 | ITU-R BT.2020 | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog3_BT2020_to_Classic709_65.cube |
| Canon | Canon Log 3 | ITU-R BT.709 | Use only the exact recorded gamut; availability depends on camera. | POE_Canon_CLog3_BT709_to_Classic709_65.cube |
| Sony | S-Log3 | S-Gamut3.Cine | — | POE_Sony_SLog3_SGamut3Cine_to_Classic709_65.cube |
| Sony | S-Log3 | S-Gamut3 | — | POE_Sony_SLog3_SGamut3_to_Classic709_65.cube |
| Sony | S-Log2 | S-Gamut | Legacy input; 8-bit footage remains susceptible to banding. | POE_Sony_SLog2_SGamut_to_Classic709_65.cube |
| Nikon | N-Log | ITU-R BT.2020 | — | POE_Nikon_NLog_BT2020_to_Classic709_65.cube |
| Nikon ZR | Log3G10 | REDWideGamutRGB | R3D NE must be decoded to this input. Same transform as RED version; no ZR-specific calibration. | POE_Nikon_ZR_Log3G10_REDWideGamutRGB_to_Classic709_65.cube |
| RED | Log3G10 | REDWideGamutRGB | Decode RAW to REDWideGamutRGB / Log3G10, without an IPP2 display rendering. | POE_RED_Log3G10_REDWideGamutRGB_to_Classic709_65.cube |
| Fujifilm | F-Log | F-Gamut | — | POE_Fujifilm_FLog_FGamut_to_Classic709_65.cube |
| Fujifilm | F-Log2 | F-Gamut | — | POE_Fujifilm_FLog2_FGamut_to_Classic709_65.cube |
| Fujifilm | F-Log2 | F-Gamut C | F-Log2 curve with distinct F-Gamut C primaries. | POE_Fujifilm_FLog2C_FGamutC_to_Classic709_65.cube |
| Panasonic | V-Log | V-Gamut | V-Log L shares encoding; camera dynamic range differs. | POE_Panasonic_VLog_VGamut_to_Classic709_65.cube |
| Leica | L-Log | ITU-R BT.2020 | Only for L-Log recorded in BT.2020; not a Sigma BF compatibility claim. | POE_Leica_LLog_BT2020_to_Classic709_65.cube |
| iPhone | Apple Log Profile | ITU-R BT.2020 | Original Apple Log only. NOT Apple Log 2, HLG, Dolby Vision, or standard video. | POE_iPhone_AppleLog_BT2020_to_Classic709_65.cube |
| DJI | D-Log | DJI D-Gamut | D-Log only. NOT D-Log M or D-Cinelike. | POE_DJI_DLog_DGamut_to_Classic709_65.cube |
| Blackmagic | BMD Film Gen5 | Blackmagic Wide Gamut | Set RAW decode to Blackmagic Wide Gamut / Film Gen 5. NOT Gen 4 or Gen 6. | POE_Blackmagic_FilmGen5_BMDWideGamut_to_Classic709_65.cube |
| ARRI | ARRI LogC3 | ARRI Wide Gamut 3 | SUP 3.x, EI800. Other EI encodings require the matching decode before the master LUT. | POE_ARRI_LogC3_EI800_AWG3_to_Classic709_65.cube |
| ARRI | ARRI LogC4 | ARRI Wide Gamut 4 | Converts to the CLASSIC rendering. This is not a REVEAL display transform. | POE_ARRI_LogC4_AWG4_to_Classic709_65.cube |
| Managed workflow | DaVinci Intermediate | DaVinci Wide Gamut | For footage already normalized to scene-referred DWG / DaVinci Intermediate. No upstream tone mapping. | POE_MASTER_DaVinciIntermediate_DWG_to_Classic709_65.cube |
Nikon ZR (Log3G10) and RED intentionally use the same numerical conversion; separate names make selection easier. The managed master expects footage already normalized to scene-referred DaVinci Wide Gamut / DaVinci Intermediate.
Not supported in v0.1
- Sigma BF L-Log, or a defined fp RAW workflow
- OM System OM-Log400
- DJI D-Log M and D-Cinelike
- Insta360 I-Log
- Apple Log 2
- Blackmagic Film Gen 4 and Gen 6
- Legacy RED encodings
- LogC3 at EIs other than 800, unless first normalized correctly for the managed master
In the ZIP
What you receive
- 26 named input options in both LUT sizes: 52 files total.
- 65-point files, recommended for post-production.
- 33-point files for devices that support this format and size; check your device.
- Setup guide and profile reference.
- Numerical validation reports and source notes.
- A single downloadable ZIP (68.9 MB).
Designed for workflows that accept .cube LUTs; verify the input and output handling in your application.
Test mode: no real charges
Get it
Peace on Earth LUT Series
v0.1 — Technical Preview
- Price
- Not on sale yet
- File
- 68.9 MB ZIP, 52 .cube files
- Delivery
- Instant download from your order page once Stripe confirms payment. We also email you a link to that page.
- License & refunds
- The final license and refund terms will be published here before sales open.
Please read before buying. Technical Preview v0.1. These LUTs use a shared ARRI Classic 709 reference and have been checked numerically. They have not yet been calibrated against side-by-side camera footage. Results depend on the recorded profile, exposure, white balance, and workflow. Check compatibility before purchasing. View compatibility.
Sales aren’t open yet. Questions? [email protected]
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Questions
Before you buy
Will this make every camera look identical?
No. The current edition normalizes supported log/gamut inputs to a shared rendering. Sensor differences, lighting, exposure, and white balance still affect the result. Side-by-side camera calibration has not been completed.
Does it work with my camera?
Check the exact log profile and color space, not only the brand. The compatibility table lists the combinations included in v0.1.
Is this the newer ARRI REVEAL look?
No. This edition uses the ARRI Classic 709 reference. Its LogC4 conversion also feeds that Classic rendering.
Which version should I use?
Use a 65-point file for post-production when your application supports it. Use a 33-point file only where appropriate for your monitoring device or workflow.
Can I apply this after another log-to-709 conversion?
No. The direct camera LUT expects the original specified log/gamut input. Applying it after another display conversion gives incorrect results. Follow the included setup guide.
What happens after payment?
Checkout is handled by Stripe. When Stripe confirms the payment, you land on your order page, which gives you a download link. Each link works for 15 minutes, and the order page can issue a fresh one. If a payment method takes longer to clear, the order page shows that it’s processing and unlocks once the payment is confirmed.
Can I use it on paid projects?
The license terms will be published here before sales open.
Peace on Earth is an independent project by Two Horn. ARRI and other manufacturer names identify the rendering reference and input compatibility; no endorsement is implied.
Also from Two Horn: the Trinity LUT Series for Canon, Nikon and Sony (in development).