A Two Horn development
Trinity LUT Series
In development
One LUT. Three camera families.
Trinity is a work in progress for bringing Canon, Nikon, and Sony log footage into consistent Rec.709 renderings. Choose your camera profile, choose the target look, and load one standalone LUT.
The current preview includes 18 one-step .cube files in 65-point and 33-point versions.
The conversion map
Nine directions
Pick the column for the profile you recorded, then the look you want. Each arrow is one standalone LUT.
-
Canon
Input: Canon Log 3 / Cinema Gamut
- Output: Nikon Rec.709
- Output: Sony Rec.709
- Output: ARRI Classic 709
-
Nikon
Input: Nikon N-Log / BT.2020
- Output: Canon Rec.709
- Output: Sony Rec.709
- Output: ARRI Classic 709
-
Sony
Input: Sony S-Log3 / S-Gamut3.Cine
- Output: Canon Rec.709
- Output: Nikon Rec.709
- Output: ARRI Classic 709
Look details
The current Canon, Nikon and Sony Rec.709 looks are Two Horn look stages built with Canon Wide DR, Nikon Technical and Sony s709 as references. The ARRI option is the ARRI Classic 709 rendering used in our Peace on Earth work. Files are named by direction, for example Trinity_Canon_to_Sony_Rec709_65.cube.
How it works
Camera Log , then Trinity One-Step LUT , then Rec.709
Trinity is built for the moment when you need to load one LUT and keep moving. Pick the file that matches the profile you recorded, then choose the destination rendering you want.
Get the preview
Trinity v0.2 One-Step Technical Preview
- 18 standalone
.cubeLUTs. - 65-point versions for post-production.
- 33-point versions for compatible monitoring devices.
- Three camera families and nine conversion directions.
- One shared ARRI Classic 709 destination.
- A setup/readme file and checksum manifest.
Free · 10.8 MB ZIP · Trinity_LUT_Series_v0.2_OneStep_Technical_Preview.zip
Trinity is actively in development. This preview establishes the one-step workflow and gives us a working foundation for later camera-reference testing and refinement.
Questions
Good to know
Can I load one LUT directly into my monitor or camera?
Yes. Every LUT in this preview is a standalone one-step file.
Which input should I choose?
Choose the exact recorded profile and gamut: Canon Log 3 / Cinema Gamut, Nikon N-Log / BT.2020, or Sony S-Log3 / S-Gamut3.Cine.
Which grid size should I use?
Use 65-point for post-production when supported. Use 33-point where the monitor or camera requires it.
What is the ARRI option?
It is the shared ARRI Classic 709 destination in the Trinity series.
Is Trinity finished?
No. It is a Two Horn development in progress. This preview is the current working release.
Also from Two Horn: the Peace on Earth LUT Series, one shared ARRI Classic 709 look for many camera families.